Some Mental Ray Renders to Salivate over...

On Wednesday, I posted a playblast of my latest Animation assignment, with Animation Apprentice. I've had a look at some renders, and have come up with these.

Don't they make the whole thing look so much better? When the scene is fully finished, I'll render the whole thing out properly, but until then, I'll leave you to drool over these...

My Popular Post...

It's been a while since I posted anything, mainly because I've been working on this.

It's not quite finished, but here's a playblast of a lipsync exercise. The extract is Louise Dearman, singing "Popular". All comments welcome :)

Books for Animators

I hear all the time, from friends and colleagues, which are the best books for Animators?

The response tends to lean towards a response of "just google what you're looking for" - this is especially the prevalent answer, when asked for the best books to help understand Maya. Maya gets updated every year, so it makes sense to steer away from buying specific books to help with why-won't-keyframes-move-in-the-graph-editor questions.

There are LOADS of great books out there, that become like bibles for animators. Everything from Disney sketchbooks, to the ultimate Animator's Survival Kit, by Richard Williams. So...I made a page especially for them. Take a peek and let me know what you think: Books and Gifts for Animators

Week 12 of Animation underway!

Gah! I can't believe it's been a month since I blogged last! Sorry!

My mind is bursting with ideas for animations and my showreel. I'm not quite half way through the course with Alex Williams and Animation Apprentice yet, so there's lots of time for more ideas to marinade.

I've been working on weight shifts, jumping, showing weight in animation and overall getting a feeling of reality into my work, by how weight and balance works in an environment. Here's a simple weight shift that I animated (note, everything I'm posting currently is still in rough, and not showreel ready...still lots of work to do).

 

The rig is by Raveen Rajadorai at Creative Crash. It's remarkable how more observant I am becoming. For instance, when someone switches weight from one foot to another, I never really considered the two steps often used, I thought it was just a case of switching the hips. I look at people walking too, in a new way, I'm thinking "How are they carrying their weight? How much do they bend their knee? Is their chest rotating as they walk? Is their head still or moving with the motion?". Doing this animation course has given me new eyes!

Here's another weight based exercise I have done. The suicidal flour sack! I enjoyed animating this, although I found the rig quite tricky to work with. I love how you can get so much character into a relatively ordinary, plain and every-day object. This rig is by key_framer at Creative Crash.

 

A Proud Piece of Animation

I am bloody loving animating! I've created quite a few small pieces, but none of them are really showreel yet - still lots of tweaking to do.

Here's something I'm working on - it's still work in progress, so still some work to do - but I'm happy to show it at this stage.

I took a rig of a big "heavy" character, that comes armed with a machine gun - so typically this is the sort of character you would expect to find roaming the darkened streets killing everyone in sight...so, I decided to turn the character on its head - and give him an effeminate twist. Let me know what you think :)

3D art? How do I become an animator using THAT?

Someone asked me: how do you become an animator ...which I thought was a very good question...and inspired discussion, that I thought I'd share. 3D art and animation is everywhere, so how do you get to train how to work with it? But firstly, let's get one thing out of the way, can you believe it's the end of August already? This year is zipping by. It also means that I have now been training in animation and learning animation techniques for about 2 months now. I'm at the stage where the software I'm using is getting very familiar and I'm feeling almost to the stage of it becoming second nature. Of course there are more programmes to practice animation techniques than just using Maya, but I'll stick with the one programme for now!

Click here for Image Credit

I used to ask myself "How Do I Become an Animator?", and end up getting lost on Google with articles telling me "to become an animator write letters to production companies and ask for experience", I think it's a good idea, but I don't know how much that would help in the long run. I wanted a solid training foundation, particularly in 3D art and 3D animation as that sparked more of an interest with me rather than traditional animation. One thing is for sure, I wanted to make sure I would be equipped with the animation techniques that I would need to know before I even attempted to approach a studio or company to take me on. The best piece of advice I was given (and I believe is paying off) is to network, network, network.

I didn't study Animation at uni*, so at the age of 30, I felt at a disadvantage - I didn't have a clue about any of the latest animation techniques or how to work in 3D art other than traditional sculpture. I've known about Escape studios for a while - I had a friend who studied Compositing there, and I had been to a couple of open days - so it automatically popped up in my mind. As I'm sure I've already explained, Escape couldn't help me with my dream to become an animator because they pulled the course, just as I was ready to sign up...but they did introduce me to Alex Williams...so a course in learning Maya with Escape, and a course learning Animation techniques with Alex followed.

I felt confident with Escape, the 3D art they created blew my away. But not only had I been given a personal recommendation from a friend, but the work their students is excellent - knowing Alex had connections with them, and seeing his showreel, I knew I was in the right company with him too. The animation techniques I'm learning are brilliant and easy to understand and follow (however, mastering them, is another matter). If I hadn't found either, I guess I would be looking for more schools or colleges with good reputations, good work to show for what they do and a good feel for their connections with the industry...THEN I'll approach a studio with my "let me become an animator with you" approach. Escape will help you find work when you finish a course, but I understand that they would charge a finders fee to the studio-potential-employer, which studios don't like, for obvious reasons! So, the networking approach is one I hope to explore to its full potential! It's still early days, but it's always good to be prepared!

*Some great uni courses for animation and working with 3D art, as I understand, are at Bournemouth University and the University of Kent.

Edinburgh Fringe Inspiration

I've been away for a few days at the Edinburgh Fringe Festival. Absolutely amazing. I've seen some cracking stuff...and also some naff stuff. Most importantly, I've been very inspired. A lot of things I saw made me think "that would make a good piece of animation" or "that was a really comical face expression" or "that walk would make a brilliant animated character".

Got lots of work to catch up on though, but I'm getting there.

Looking through my blog, I haven't told you the good news - at Escape, we've started rotating desks! It's the small things. But, what this means is that I won't be able to see the board for only a 1/3 of my time there (there are 3 rows of desks). This makes such a difference - being able to say really enhances ones learning, when needing to follow what is happening on a board in front of you!

So, yes, I've got lots of work to catch up on, so more from me soon.

Working With Wonderful Wacoms

It's been another busy week. My biggest achievement was to use a Wacom Tablet! To be honest, I was nervous about it, I've always used a mouse. Basically, Wacom tablet lets you use the Maya software (and any software really) using a pen stylus on a tablet. It completely replaces the mouse. It's weird, you just hover the pen over the tablet and it moves the cursor around your screen. It also has little buttons on your pen, to use the respective middle and right clicks. It's going to take some getting used to, but I'm really excited and have already done some Maya modelling with it! I got my Wacom tablet from Amazon, I'm using the Wacom Bamboo Pen Graphics Tablet from Amazon.co.uk and I'm really pleased with it (it only cost me about £50, bargain!). You can also get Wacom tablets on Amazon.com so it's definitely worth shopping around.

See link for image credit.

I also started modelling heads and modelling furniture this week! Quite a comparison, lol. The head picture on the left is from a design page at Swinburne University of Technology, Melbourne I'm linking because there are some pretty nifty tutorials on how to model in Maya, so definitely worth taking a peek.

I'm beginning to feel more and more confident about using Maya. It's taken a few weeks, but things are starting to sink in, and some techniques are turning into autopilot in my mind.

As far as travelling to my course goes, I've not had any commutable problems into London, with the Olympics in full swing...which is always a bonus!