I'm an Animator

I have news: I made it. I'm an animator.

Looking back through this blog is quite a humbly experience; being able to look back at my journey and how I got here. But I know really that my journey has only just begun...but my leap of faith to do it in the first place, has paid off.

I'm aware that there's quite a bit of missing information in the lead up to my first job. Let me fill you in.

Me and my fabulous course mate, after our graduation.

What happened:
My course at Aardman finished just before Christmas 2014. Our graduation was such a gorgeous, yet bittersweet day. I was proud of the work I had done. I was chomping at the bit to get out into real world again, and starting working. I was sad to say goodbye to all the lovely people I'd met, and I was gutted to be leaving Aardman. But I was excited to see what's next.

By some twist of fate, in my final weeks at Aardman, I was offered a job as a junior animator with a boutique studio up in Glasgow. I had to learn how to use and animate in Cinema4D (which was actually pretty easy, truth be told) and all went well. I was there short term, but three weeks in I got a call from the course co-ordinator at Aardman, telling me I had been invited to join an Internship with Blue Zoo, with potential to stay on for a year contract. How the blinky blonky I ended up with two animator jobs in less than a month after finishing the course, I'll never know!

I spoke to the studio director in Glasgow about the situation, and he gave me his blessing to accept with Blue Zoo. I felt pretty bad about it, as I didn't want to let anyone down. I found somewhere to stay in London and sorted out all my travel (trains are so damn expensive, right?) from York (where I live currently) and I was off. Then three weeks into the Internship, they told me they liked the work I was doing, they thought I fit in, and offered me a contract to stay on...I'm still pinching myself.

When I was at Aardman, I didn't think any studio would come close to the pedestal of greatness that I put it on. Aardman was the ultimate workplace, as far as I was concerned. But, I gotta say, Blue Zoo is up there too. It's a dream. The project I'm working on is called Tree Fu Tom, for CBeebies. It's gorgeous. The episodes are cute and the characters are challenging to work on, which I love...I mean how do you approach animating a character who has four arms, two are enough for the junior to contend with, surely? ;)

So, that's it.

All I can say really, is if I can do it, you can do it. It's funny working with people who are in much higher positions than me, who are younger than me. It makes me think "I wonder where I would be now, if I had gone straight into animation... but hey, let's not get toooo philosophical on that one.

Cheers
Marc :)

Animation Updates

Hi there, remember me? I know, I know, it's been a while since I last blogged but don't worry I'm still here.

In between applying for entry level positions in studios across the land, I've moved house and relocated, been on Jury service, been working, been animating, lost 2 stone...and amongst all the excitement of getting my latest Showreel onto my website and sorting through boxes that I haven't gone through since I was at school...I came across this book!

This was my very first animation book I got when I was about 10. I'm not sure of the exact age, but I was at Primary school - I remember having it at my desk in year4, so I may have been younger than 10. Aaaanyway...it reminded me about why I'm doing what I'm doing, and why I'm applying for animation roles. It's strange how my career choices have gone full circle. From wanting to animate, to wanting to work in theatre, to wanting to be an artist, to wanting to work in the corporate rat race...to wanting to fuse together theatre and art to return to my career choice: Animation.

Whilst you breathe a sigh of sweet nostalgia with me, take a peek at my latest showreel, it's pretty cool, even if I do say so myself: www.marcgodfrey.com/

The Art of the Title!

I've recently been working on a titles for my showreel. At first glance, it seems like not a big deal, but when you get down to it, you're creating something that makes a first impression - yikes! This means it's got to be good.

Here are my first attempts:

 

I then simplified to get this:

 

  

The feedback about this was about keeping it simple, and drawing inspiration from a title sequence that I like. After trawling the internet and various title websites, I found this intro, and the actual title part of the intro was appealing. It looked simple, classy and bold. What do you think?:

  

...and so from that, I created this...which so far, is what I'm sticking with.

Let me know what you think - it would be good to get as much feedback as I can :)

Thanks

Marc

Animating a Flap Cycle

My last assignment with Animation Apprentice is to animate a flying bird. The flap cycle is surprisingly straight forward, the only complication comes when studying the actual motion of a bird's wing and making sure it's doing what a bird, does!

The rig isn't the best to use for close ups. It's quite geometric and low-poly, but the overall effect is very pleasing if the camera angle isn't too close.

Since the bird looks like a crow, I figured it was appropriate to go gothic with my shot. My murder of crows swoop in, and swoop out towards the moon. What do you think?

I've Been Animating For a Pregnancy!

Don't worry, no one's pregnant. I just logged into my Animation Apprentice account, and I've been a member for just over 9 months - that's a pregnancy! ...and it does feel like I've been reborn, in some sort of cheesy, cliche way.

I've learnt so much. I feel that I'm using my creativity, and I feel very satisfied for it. Before, it was like I was stuck, somehow. I knew where I wanted to be, vaguely, but didn't know how to get there - and because no sails were in motion, I just spent a lot of my time just treading water.

Now, I'm training in a field that sparks my interests, working with like minded people, learning from my peers - I certainly feel more fulfilled than I have done in a very long time. It feels good.

Here's one of my latest animations. I've still got work to do it, but it's getting there. What do you think?

Run Horsey, Run!

We had the Grand National at the weekend (thank you very much TeaforThree and Oscar Time), so thought it was a good time to post my latest animation, of a running horse!

I've really enjoyed doing the creature cycles. I find them quite straight forward, surprisingly, I mean they look really complicated right? As long as you have good thumbnails, they're really not that bad!

What do you think...?

I'm getting to the stage where I need to start putting together my show reel, which I'm really excited about. If anything, I'm excited to have a professional looking, quality reel. Playblasts (which this is, a kind of moving screen shot) are good and all that, but the final render is going to look super cool!

My Trotting Horse

Here's the latest installment in my Animation learning. My 22nd assignment with Animation Apprentice was to take the horse rig, and make him trot. We've done the walk cycle, so now it's time to make him move a bit faster.

What do you think?

Horsey Horsey

On the Animation Apprentice course we're learning about Horse locomotion. At first, fear careered through my body, it looked REALLY fiddly and complicated, but I'm pleased to report...Tweren't at all bad, twas it not!

Once I got my head around the rig and understood the controls, it was really about making sure all the curves looked good and the cycle was working smoothly.

Here's my Walking Horse. What do you think?

My mind is constantly drifting to the dreaded question: How am I going to get a job? The end of the course with Animation Apprentice looms, which means I need to get my showreel up to scratch and good enough to show to a studio, and prove why they should take me on. Lots to do. CV and Linkedin profiles to sharpen!

And above all else...I need to come up with an idea to cohesively put a showreel together. Watch this space!

Some Mental Ray Renders to Salivate over...

On Wednesday, I posted a playblast of my latest Animation assignment, with Animation Apprentice. I've had a look at some renders, and have come up with these.

Don't they make the whole thing look so much better? When the scene is fully finished, I'll render the whole thing out properly, but until then, I'll leave you to drool over these...

My Popular Post...

It's been a while since I posted anything, mainly because I've been working on this.

It's not quite finished, but here's a playblast of a lipsync exercise. The extract is Louise Dearman, singing "Popular". All comments welcome :)

A little piece of Big Bang Animation from me...

Feels like ages since I posted something, so thought I would share my latest piece of animation. It's not finished, there's still work to do and tweaks to make before it's worthy.

Anyway, hope you like it, and the joke doesn't make you groan too much :)

Oooo...by the way, do you recognise the voice?

When Facing Fear, get Inspired!

Animation Dreaming

My last official day in my post at work is drawing ever closer. The anxiety and sense of fear that is starting to creep up on me, is getting louder. Am I doing the right thing? Should I be working full time whilst fixing up my showreel? Is it sensible to be giving up work without another job to go to?

Who knows! Well, I'm not leaving work completely, I am going back, but in a different role, and less hours. It feels like a good idea. But it also feels foolish. I guess I'm scared about not being good enough to make it in the world of Animation, and not being able to get a job. I'll get there though, I know it. I can feel it. Secretly though, I'm scared.

Our course at Escape finishes on Tuesday too. I'm scared.

So, um, yeah. Happy Friday everyone!

Reunited with an Old Friend!

 

 

Vintage Garfield T-shirts - circa 1988

Whilst clearing out a load of long forgotten junk, I stumbled across these little beauties; my treasured Garfield t-shirts I used to wear as a kid.

I used to be obsessed with Garfield. I had all the books and comics, spent hours drawing out my favourite Garfield characters and making cutouts for my bedroom wall. I used watch Garfield and Friends repeatedly on TV. I.was.obsessed.

I couldn't let them go to charity, had to keep them and thought I'd share here. Garfield's creator, Jim Davis, really inspired me to draw when I was kid...so perhaps if it wasn't for him and his beloved Garfield creation, I might not be where I am today, vying for a career in Animation. Garfield rocks!

Getting an Animation job!

I'm not yet at the stage where I'm job hunting. I still have a lot of work to do on my showreel. I'm very excited about what the future holds though.

Escape studios posted a blog by HaZ Dulull, offering his advice about getting work, in what is, a very competitive arena. You can get to the pearls of wisdom through the Escape link, or through here: Part 1: The Showreel, Part 2: Finding the right approach and lastly Part 3: Networking

An excellent read - jammed packed with really useful tips and advice. Big thumbs up!

Books for Animators

I hear all the time, from friends and colleagues, which are the best books for Animators?

The response tends to lean towards a response of "just google what you're looking for" - this is especially the prevalent answer, when asked for the best books to help understand Maya. Maya gets updated every year, so it makes sense to steer away from buying specific books to help with why-won't-keyframes-move-in-the-graph-editor questions.

There are LOADS of great books out there, that become like bibles for animators. Everything from Disney sketchbooks, to the ultimate Animator's Survival Kit, by Richard Williams. So...I made a page especially for them. Take a peek and let me know what you think: Books and Gifts for Animators

Happy New Year - Happy New Animations!

Happy New Year! Hope 2013 brings you all you need!

So far, as well the animation training still going well, I've been busy inspiring myself with interviews from professional animators on Schoolism. These are my favourites: Interview with Disney Legend, Tom Bancroft,  Interview with Pixar Artist, Daniel Arriaga and Interview with Pixar Animator, Michal Makarewicz - inspiring indeed!

Here's one of my latest pieces of animation, so you can see how I'm getting on and developing...

Still got a bit of work to do, slippery feet and timing issues to be ironed out...so not yet show reel worthy...but it will be!

Escape Studios is going well too, nearly finished the evening course, but the project is taking me longer than I hoped. It's been a difficult work load to manage, and if I could do it all again, I would have held off the Maya course and just focus on the Animation tutoring with Alex, but hey.

...Note to self: Keep up the Blog!!

Week 12 of Animation underway!

Gah! I can't believe it's been a month since I blogged last! Sorry!

My mind is bursting with ideas for animations and my showreel. I'm not quite half way through the course with Alex Williams and Animation Apprentice yet, so there's lots of time for more ideas to marinade.

I've been working on weight shifts, jumping, showing weight in animation and overall getting a feeling of reality into my work, by how weight and balance works in an environment. Here's a simple weight shift that I animated (note, everything I'm posting currently is still in rough, and not showreel ready...still lots of work to do).

 

The rig is by Raveen Rajadorai at Creative Crash. It's remarkable how more observant I am becoming. For instance, when someone switches weight from one foot to another, I never really considered the two steps often used, I thought it was just a case of switching the hips. I look at people walking too, in a new way, I'm thinking "How are they carrying their weight? How much do they bend their knee? Is their chest rotating as they walk? Is their head still or moving with the motion?". Doing this animation course has given me new eyes!

Here's another weight based exercise I have done. The suicidal flour sack! I enjoyed animating this, although I found the rig quite tricky to work with. I love how you can get so much character into a relatively ordinary, plain and every-day object. This rig is by key_framer at Creative Crash.

 

An Animator's Life for Me...is a Busy One!

Apologies I haven't been on the blog much...the work at Escape and Animation Apprentice is keeping me very busy! If I'm not at work, I've either good my head in a tutorial, or book about animation (...or watching the latest episode of the British Bake-Off...obviously)

I was hoping by now I would have something to show you, that would be show-reel worthy...but alas, I'm not THAT good yet. I have a couple of walks that are proving a success, but still need a bit of tweaking.

I keep seeing trailers for animated films...needless to say, it starts me fantasising about working as an animator in a studio one day. This one in particular caught my eye, Wreck-It Ralph...the latest Disney, and it looks amazing...One day.

3D art? How do I become an animator using THAT?

Someone asked me: how do you become an animator ...which I thought was a very good question...and inspired discussion, that I thought I'd share. 3D art and animation is everywhere, so how do you get to train how to work with it? But firstly, let's get one thing out of the way, can you believe it's the end of August already? This year is zipping by. It also means that I have now been training in animation and learning animation techniques for about 2 months now. I'm at the stage where the software I'm using is getting very familiar and I'm feeling almost to the stage of it becoming second nature. Of course there are more programmes to practice animation techniques than just using Maya, but I'll stick with the one programme for now!

Click here for Image Credit

I used to ask myself "How Do I Become an Animator?", and end up getting lost on Google with articles telling me "to become an animator write letters to production companies and ask for experience", I think it's a good idea, but I don't know how much that would help in the long run. I wanted a solid training foundation, particularly in 3D art and 3D animation as that sparked more of an interest with me rather than traditional animation. One thing is for sure, I wanted to make sure I would be equipped with the animation techniques that I would need to know before I even attempted to approach a studio or company to take me on. The best piece of advice I was given (and I believe is paying off) is to network, network, network.

I didn't study Animation at uni*, so at the age of 30, I felt at a disadvantage - I didn't have a clue about any of the latest animation techniques or how to work in 3D art other than traditional sculpture. I've known about Escape studios for a while - I had a friend who studied Compositing there, and I had been to a couple of open days - so it automatically popped up in my mind. As I'm sure I've already explained, Escape couldn't help me with my dream to become an animator because they pulled the course, just as I was ready to sign up...but they did introduce me to Alex Williams...so a course in learning Maya with Escape, and a course learning Animation techniques with Alex followed.

I felt confident with Escape, the 3D art they created blew my away. But not only had I been given a personal recommendation from a friend, but the work their students is excellent - knowing Alex had connections with them, and seeing his showreel, I knew I was in the right company with him too. The animation techniques I'm learning are brilliant and easy to understand and follow (however, mastering them, is another matter). If I hadn't found either, I guess I would be looking for more schools or colleges with good reputations, good work to show for what they do and a good feel for their connections with the industry...THEN I'll approach a studio with my "let me become an animator with you" approach. Escape will help you find work when you finish a course, but I understand that they would charge a finders fee to the studio-potential-employer, which studios don't like, for obvious reasons! So, the networking approach is one I hope to explore to its full potential! It's still early days, but it's always good to be prepared!

*Some great uni courses for animation and working with 3D art, as I understand, are at Bournemouth University and the University of Kent.